_____ can be either formal or informal

a. Sonnets
b. Novels
c. Metaphors
d. Essays

d

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How do Andrea Pisano's doors for the Florentine Baptistery of San Giovanni (Fig. 18-3) reflect a stylistic shift in Italian art of the fourteenth century?

A. the use of gilded bronze for architectural sculpture B. the curved forms and courtly posture of the figures C. the emphasis on the three-dimensional mass of the figures D. the spatial ambiguities of the settings

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Haydn, Mozart, and others liked to use the rondo form in the finale of symphonies and other multimovement works because rondos

a. are jaunty and bright, and their principal melodies are often quite catchy. b. allow the symphony to slowly wind down to a serene conclusion. c. are very complex and demonstrated the composer's skill. d. are the only acceptable form for the finale.

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