The mainstream musical works, like Copland's Appalachian Spring, lost credibility in critical circles due to more progressive works, like Cage's 4'33"

The finale of Tailleferre's Concertino for Harp and Orchestra __________

a) uses a balanced, traditional melodic structure b) quotes a melody from Haydn's Symphony #104 c) avoids all dissonance to achieve a "classical" sound d) adds a 12-tone row

When we are aware of the thoughts, needs, experiences, personality, emotions, motives, desires, culture, and goals of our communication partners while still maintaining our own integrity, we are engaging in other-orientation.

Indicate whether the statement is true or false.