When a composer borrows, not merely a pre-existing melody from another source, but an entire polyphonic complex, it is called:

A) cyclic technique
B) multiple cantus firmus technique
C) paraphrase technique
D) parody technique

D

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Which of the following was a term used to refer to a loud, smeary, glissando-filled trombone playing style?

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What will be an ideal response?

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