What two kinds of art does Shen Wei blend together to create new theatre works that merge Eastern and Western performing and visual arts?

Claes Oldenburg and Coosje van Bruggen created shock value through use of:

A. symmetry. B. repetition. C. scale. D. abstraction. E. variety.

Give two reasons why the "dominant-tonic" (V-I) cadence arose in the mid-fifteenth century?

What will be an ideal response?