The characters in theatrical performance have no life outside of the performance except through the memories of their audiences.

The underlying political order of Republican Florence is represented in this religious scene by

a) the likeness of Cosimo de’ Medici as Magi or “king” bending before the Christ child. b) its setting with Classical columns in the architectural ruins of the background linking Florence to ancient republics. c) the inclusion of Botticelli’s self-portrait on the right and direct gaze towards the viewer indicating the power of the artist in this era. d) the horse and soldier positioned on the left suggesting military control by their presence in the foreground.

Which of the following statements is NOT true concerning Peter Jackson's use of computer-generated imagery in The Lord of the Rings trilogy?

A. It was used to create digital stunt doubles for actors. B. It was used mainly to create vast crowds of soldiers. C. It was used to create characters with individual artificial intelligence. D. It was used to create portions of the mise-en-scene.