The increased production of short films by new French filmmakers during the early 1950s was motivated by:

A. a provision in the French aid law that encouraged short filmmaking.
B. a new appreciation for the documentary film aesthetic that was articulated in the new French film journals.
C. a commission from the French government for the cinematic adaptation of short stories by Honoré de Balzac.
D. a shortage of the available film stock.

Answer: A

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