This virelai, by Antoine Busnoys, is a setting of an acrostic poem
a. Je ne puis vivre ainsy tousjours
b. Dueil angoisseus
c. Guillaume se va chaufer
d. Prenez sur moi
a
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What communal music-making did Moroccan women engage in during the wedding celebration described in Worlds of Music? How is the bendir played? What sound does the instrument produce that is the “preferred aesthetics of both the Arab world and Africa”?
What will be an ideal response?
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Which of the following is an example of the tradition of ceramic tile decoration in Persian architecture?
a. the Taj Mahal b. the Court of Lions c. the Mir-i-Arab Madrasa d. the Great Mosque in Kairouan
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