A type of folk song that uses music to deliver a topical/political/social message:

Which of the following was NOT a well-known jazz venue in the 1950s?

a) Five Spot b) Half Note c) Village Gate d) Roseland

WOMS states that CD 3:5 (“Me gusta la leche”) is a sanjuán, but is not a Quichua sanjuán--as heard in CD 3:3 (“Muyu muyari warmigu”). Discuss the similarities and differences between the Quichua and Chota sanjuanes. Why is this musical genre “shared” between the two cultures?

What will be an ideal response?