The term "coda" identifies the section of music that comes
A) before the introduction
B) between the exposition and the development
C) as a separate selection during the offertory
D) after the end of the recapitulation
E) years after the death of the composer when another takes interest in their work and composes a coda, like an encore, of the work
D
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Bertolt Brecht's insertion of 1920s jazz tunes in his adaptation of the eighteenth century British musical The Beggar's Opera is a good example of
a. a playwright indicating a stylistic shift within the play's text. b. the production team imposing an older style on a newer play. c. the production team borrowing an eastern performance style for western material. d. turning a classic novel into a musical.
Listen to the excerpt:Which element of Wagner's "Prelude" baffled audiences when it was first performed?
A. Its dissonant opening chord and unresolved harmonies B. The overly Romantic treatment of its theme C. The use of orchestral "voices" in the opening rather than a sung aria D. Its presentation as a "music drama" rather than an "opera"