What are the two innovations in the in first movement of Sammartini's Symphony in D that make it different from the binary form used in the Baroque dance suite?

What is the general approach to the performance of the piece by the elaborating melodic instruments?

What will be an ideal response?

Which painter made Parisian dance halls and clubs the subjects of many of his paintings, including Dance at Le Moulin de la Galette?

A. Manet B. Renoir C. Cezanne D. Degas