Until the early 1950s, most new plays written in the United States originated in regional theatres.

To properly understand the Bwa mask Bird of the Night as a sculptural form, we must also consider:

a. the spiritual context. b. the participation of the onlookers in the ritual. c. the dynamic context. d. all of these. e. none of these.

A director can make a viewer feel insecure by doing what with respect to a character we identify with, as Mike Nichols did in The Graduate

A. by placing a hostile foreground element between us and the character we identify with B. by removing all background elements behind the character we identify with C. by placing the characters at a social distance from the camera D. by placing the character at a personal distance from the camera