Berlioz's book Treatise on Instrumentation and Orchestration was the first significant discussion of that subject.

For some 200 years, many of the works of Judith Leyster were:

A. locked away in an attic and forgotten. B. mistakenly identified as the work of Frans Hals. C. virtually ignored while decorating the walls of a hospital. D. painted over because they had been sold for their canvas alone after her death. E. buried in the Leyster family crypt.

Summarize the history of art academies in Europe. What was their role in the 17th and 18th centuries? Describe the curriculum and why certain types of art were emphasized.

What will be an ideal response?