Match the following Stanislavski acting techniques to the phrase that best describes them.
A. purposeful action undertaken to fulfill a character's goals as the most direct route to the character's emotions
B. the specifics of the situation in which a character exists
C. what the character wants above all else during the course of the play
D. the elimination of unwanted tension
E. internal or subjective world of the characters
F. concentration on some object, person, or event while onstage
G. the playing together of all performers
H. imagining how the actor would feel in a particular situation
I. expressing an emotion in terms of concrete activities
A. psychophysical action
B. given circumstances
C. super objective
D. relaxation
E. inner truth
F. circle of attention
G. ensemble
H. magic if
I. importance of specifics
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Which of the following does not describe Charlie Parker's playing style?
a. a lean, edgy tone with blues inflections b. frequent high-speed runs (double-timing) c. disjointed, irregularly accented melodic lines d. solos that stuck fairly close to the original tune