The most common accompaniment for the country dances in the eighteenth and early nineteenth centuries was:

Neoclassically-trained Théodore Géricault painted The Raft of the Medusa to

a. protest aristocratic privilege. b. call attention to the plight of slaves. c. expose the French government's cover-up. d. shock the French into another revolution.

Charles Le Brun's paintings on the ceiling of the Hall of Mirrors at Versailles depicted __________.

A. hunting scenes B. military triumphs of Louis XIV C. landscapes D. the Immaculate Conception