The primary patrons of the Spanish artist Francisco de Zurbarán were _____

Which pair of works could both be classified as documentary in purpose—that is, intending to record social reality directly and truthfully?

a. Joyce, Ulysses, and Eliot, The Waste Land b. Dorothea Lange, Migrant Mother, and Riefenstahl, Triumph of the Will c. Magritte, The Key of Dreams, and Miró, Birth of the World d. Stravinsky, Rite of Spring, and Copland, Appalachian Spring

Kahlo's painting (see Take a Closer Look) contains elements of

a. chiaroscuro b. Cubism c. surrealism d. creationism e. public art