The lion hunting scene of Assurnasirpal II marks a shift in Mesopotamian art from a sense of timelessness toward greater _________

A. political content
B. emotional drama
C. historical accuracy
D. interest in individuals

Answer: B

Art & Culture

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What was the intended audience of the narrative painting, Court of Gayumars?

a. the rulers b. the laity c. the imam d. the elite

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This example comes from which of the following traditions/styles?

What will be an ideal response?

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