The leading exponent of late mannerism in Italy, Tintoretto, had a style that could be described as
A. feverish and emotional.
B. restrained and stately.
C. Gothic and decadent.
D. discordant and alienating.
A
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Discuss the point of the selection from Marguerite de Navarre’s Heptameron (Reading 16.1). What similarities do you find between the Spanish wife’s reasoning in the story and the movement of the “modern devotion” (discussed in Continuity & Change)?
What will be an ideal response?
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Listen to PL 13-24, "Spring on Snowy Mountains," then indicate the best answer for each of the following questions:The zheng features
A. chordal accompaniment. B. arpeggios. C. tremolos. D. all of the above.
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