What were the theoretical and aesthetic principles that characterized the Dada, Surrealist, and "cinéma pur" movements? Which formal and stylistic qualities did their films share, and in what ways did they differ?

Anselm Kiefer was one of the most prominent Neo-Expressionists. His work:

A. dealt directly with the trauma of Germany's past. B. explored the role of the subconscious and dream images. C. consisted of mass-produced replicas of works of other artists. D. was an exploration of flatness. E. inserted words resembling advertising slogans into public places.

This genre, consisting of a large body of unaccompanied monophonic vocal

music set to Latin texts, was composed for the Western Church over the course of fifteen centuries.

a. Gregorian chant b. trouvère songs c. motet d. opera e. madrigal