In CD 2:4, where in elapsed seconds, does the initial complete statement of the four-gongan melody of Bubaran “Kembaran Pacar” end? (Hint: the last beat of the initial statement of the balungan melody coincides with the punctuation by the gong ageng.)
What will be an ideal response?
• 1:00
—1:04 The second statement of the Main melody starts at 1:04.
—What happens to the tempo at the end of the piece? Where in elapsed seconds does this tempo change start to occur?
• The tempo slows down at the end of the piece, starting at about 3:20.
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The ________ is of special interest to experimental or avant-garde practitioners.
A. proscenium stage B. multifocus theatre C. created, or found, space D. thrust stage