How does Santiago Calatrava's The World Trade Center Transportation Hub, "The Oculus"demonstrate the way that public architecture can serve a practical and symbolic function?
What will be an ideal response?
The ideal answer should include:
1. As part of the World Trade Center site, which was rebuilt as a memorial, symbol, and functional group of buildings, Santiago Calatrava designed a subway and train station to handle the more than 50,000 commuters that pass through each day.
2. For the vast main hall called "The Oculus," Calatrava conceived a light, airy structure made of pure white marble, glass, and stark steel painted white.
3. The curved walls rise 160 feet like wings toward a spine-like glass skylight that retracts each year on the anniversary of the attacks, aligned to open to the sun's position when the planes first struck.
4. This image of hope-Calatrava has described it as the hands of a child releasing a bird-built on the site of unfathomable loss charts new domains for communal commemorations in the twenty-first century.
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The trompe l'oeil paintings of the Sala dei Giganti in the Palazzo del Tè create the illusion of ______________
A. a window onto the exterior courtyard and gardens B. multiple panel paintings and architectural features adorning the walls C. a magnificent view over the city D. the room collapsing around the viewer
Which of the following artists portrayed gas-masked machine-like monsters in his collage, Two Ambitious Figures, by combining the images of equipment in a scientist's laboratory?
A. Ernst B. Grosz C. Léger D. Remarque