Is there any connection between the Egyptian hieroglyphs, as seen on the Palette of Narmer, and Sumerian cuneiform writing?
What will be an ideal response?
Egyptian hieroglyphic writing had three kinds of signs: pictograms, phonograms, and determinatives. In the Palette of Narmer, we can see two pictogram hieroglyphs that are used for their phonetic sounds, giving us the king’s name: a horizontal fish (nar) above a vertical line (mer).
Egyptian hieroglyphs are quite different from Mesopotamian cuneiform writing, though there are some similarities. Like cuneiform writing, hieroglyphs contained pictograms. However, cuneiform did not have phonograms or determinative signs. A name could be written and then a determinative would show what sort of thing the name was for, such as a god, a man, a woman, an idea. Also, determinatives could show the number of things, whether there was one, two, or more than two.
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Which of the following artists typified the approach of connecting an improvisational world without musical borders back to the bop mainstream?
a) Wynton Marsalis b) David Murray c) Maria Schneider d) Art Blakey
Identify the correct definition of "hocket". a. A canon in which two voices perform the same music at different rates ofspeed, the corresponding notes of which grow progressively distant fromone another
b. A combination of note symbols (for the fast moving upper part) and pitchletter names (for the lower part). c. It occurs when the sounds of two voices are staggered by the carefulplacement of rests, thereby creating a highly syncopated composition. d. Counterpoint carefully written so that the vertical position of two or morevoices can be switched without violating the rules of counterpoint or creatingundue dissonance.