In notating the rhythmic modes, composers grouped individual notes into units known as:

In the Emily Dickinson poem included in this chapter, "great pain" is followed by:

a. an outpouring of great joy. b. a period of restlessness and depression. c. desperate prayer. d. a formal feeling. e. reluctant resignation.

In the 1950s, singers like Sarah Vaughan and Peggy Lee

a. refused to sing anything but legitimate jazz b. sang mostly pop music, with a few jazz recordings c. recorded both jazz and popular music d. recorded both jazz and blues tunes