A production dramaturg may discuss with the director:
a. All the available choices
b. possible reasons for disparity in intention and the realities of the production.
c. what he or she was trying to achieve.
d. the disparities between the director's intentions and what the dramaturg sees on stage.
a
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Being an "infinite" person can best be described as
a. expanding our knowledge and our capacity for understanding ourselves and others. b. immersing ourselves in the experiences of those who came before us. c. increasing our aesthetic pleasure by experiencing many viewpoints of the beautiful. d. transforming intuitions into exciting ideas to develop our own thinking skills.
The dinner scene in Sabotage demonstrates director Alfred Hitchcock's ability to:
A. stage complex actions in depth on several planes during an unbroken long take. B. frame and edit shots in such a way as to allow spectators to grasp characters' thoughts. C. merely hint at the emotions of characters by turning their faces away from the camera especially at dramatic moments. D. manipulate the volume of spoken dialogues to suggest character subjectivity.