When making films, Alfred Hitchcock's goal was not mystery or horror but suspense.

Which of the following is a term that is used to discuss how much critical detachment a spectator has from the play?

A. verisimilitude B. alienation effect C. empathy D. aesthetic distance

In the professional theatre, often the actor’s makeup is:

a. wholly and independently conceived by the performer. b. created by the costume designer as part of the design. c. highly stylized and difficult to master. d. delegated to the director who often has training in cosmetics.