Define the terms order, duration, and frequency as they apply to narrative time. Give specific examples of each from Film Art, the lecture, and any of the narrative films shown for this course.

How many acting areas are considered power areas onstage?

A. 12 areas of power onstage B. 3 areas of power onstage C. 2 areas of power onstage D. 6 areas of power onstage E. All areas are the same onstage

Which of the following was NOT an incentive for European producers from different countries to join forces through coproduction?

A. Coproduction gave access to international markets. B. Coproduction allowed a film project to qualify for subsidies from each participating nation. C. Coproduction allowed producers to mount bigger-budget fare that might compete with Hollywood's. D. Coproduction was typically immune to state censorship out of deference to differing standards in each partner country.