Rembrandt's mature works, such as the Return of the Prodigal Son, differ from the religious art of Italy and Flanders in their ______________
a. inward-turning contemplation
b. lofty theological ideals
c. depiction of the celestial triumph of the Roman Catholic Church
d. dramatically posed figures
a
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Which of the following artists served as an official portraitist for Marie-Antoinette?
a. Jean-Honoré Fragonard b. Jean-Antoine Watteau c. Marie-Louise-Élisabeth Vigée-Lebrun d. Jacques-Louis David
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Explain the rise of mannerism and the baroque style
What will be an ideal response?
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