The outstanding sculptors of the early twentieth century moved away from the exaggerated expression of the late Romantic period and embraced a simpler, more classical style.

When an artist depicts an object with simplified, abstract surface patterns, this term is used

A. Naturalization B. Idealization C. Stylization D. Representation E. Figuration

Lou Shuhua's "Return of the Fishing Boats" (PL 13-20) differed from earlier solo zheng pieces because it

A. moved away from reliance on stylistic influences from the Western piano and harp repertoires. B. broke away from the baban form. C. avoided explicit programmaticism. D. all of the above.