The 1920s were a time of multiple artistic movements, traditionalist and modernist, existing together

How did New York's white population supported the Harlem cultural resurgence by

a. investing in black-owned businesses. b. financing the revitalization of Harlem apartments. c. buying blacks' art and frequenting the clubs. d. supporting black-owned publication houses.

Traditional religious art works of all cultures avoid emphasis on a focal point.

Indicate whether the statement is true or false.