What is one way that scholars argue that Artemisia Gentileschi identified with the painting Judith and the Maidservant with the Head of Holofernes?
a) She painted her features onto the figure of Judith.
b) She adopted Caravaggio’s use of extreme chiaroscuro.
c) She was interested in ancient Jewish history.
d) She was involved with the Counter-Reformation.
a) She painted her features onto the figure of Judith.
Art & Culture
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In which tragic form are the central figures of the play caught in a series of tragic circumstances?
A. traditional tragedy B. modern tragedy C. both traditional and modern tragedy D. neither traditional nor modern tragedy
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What will be an ideal response?
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