In the 1920s, white musicians first imitated the New Orleans style in what became known as ________ jazz.

Among the most daring of the International style proponents and last director of the Bauhaus was the Dutch architect

A. Ludwig Mies van der Rohe. B. Richard Buckminster Fuller. C. Frank Lloyd Wright. D. Philip Johnson.

If we agree that the recording “Postal Workers Canceling Stamps” sounds like music (the postal workers themselves, however, may not think the sound they are making is music), how does the chapter’s author, David Locke, intend to participate and be actively involved with the postal workers’ music?

What will be an ideal response?