____ is a term brought to music from probability theory and designates works in which individual sonic events are not controlled by the composer, who focuses instead on shaping only their aggregate appearance and behavior

Barton mentions which of the following as a vivid example of recently revealed information that has helped us extend our knowledge of Stanislavski's work?

a. An in-depth description of his early acting career b. A stronger emphasis on "Emotional Recall" c. A complete breakdown of the "Through Line" d. A list of common "Super Objectives"

Post World War II, the exhibition-controlled market in India discouraged standardized filmmaking.

Answer the following statement true (T) or false (F)