Describe the Disputà and School of Athens paintings, two of the walls Raphael painted for the Vatican’s Stanza della Segnatura

Please provide the best answer for the statement.

1. The Stanza della Segnatura depicts one of the four major areas of humanist learning on each of its walls: Law and Justice; the Arts; Theology; and Philosophy.
2. The Disputà (the representation of Theology) is the fullest account in Christian art of the sacrament of the Eucharist, the central ritual of Christian faith. At the center of the painting is a monstrance, a container for displaying the consecrated Host (bread) of the Holy Eucharist. According to the Catholic doctrine of Transubstantiation, in the celebration of the Mass at the moment of consecration, the bread and wine literally become the body and blood of Christ. A dove, enclosed in a circle of gold and symbolizing the Holy Spirit, is depicted directly above the monstrance. Directly above the dove, Christ sits in majesty, flanked by the Virgin and John the Baptist, and above him, God the Father.
3. Directly across from the Disputà is the School of Athens (Philosophy), with Plato and Aristotle, the cornerstones of Classical philosophy. Both scenes are framed in trompe l’oeil (illusionistic) arched vaults, the one framing the heavens, the other an immense barrel-vaulted interior perhaps inspired by Bramante’s new design for St. Peter’s. Plato points toward the heavens, the realm of ideal forms that so informs his work, while Aristotle stretches out his hand palm down toward the earth, from where, in his view, all knowledge originates in empirical observation. The School of Athens is generally acknowledged as the most important of Raphael’s four paintings for the Stanza della Segnatura. Its Classicism is clearly indicated in several ways: by its illusionistic architectural setting, based on ancient Roman baths; by its emphatic one-point perspective, which directs the viewer’s attention to the two central figures, Plato and Aristotle; and by its subject matter, the philosophical foundation of the Renaissance humanistic enterprise. The clarity, balance, and symmetry that distinguish this Raphael composition became a touchstone for painters in centuries to come.