An early master of the new Renaissance technique of linear perspective, ________ died young but left many innovative church frescos in Florence

The Wordsworth poem that begins "The world is too much with us, late and soon/Getting and spending, we lay waste our powers" is a personal, critical response to the idea of

a. art as the illusion that there is no art. b. jumping to conclusions. c. living for only financial gain. d. speculating beyond what we know.

The sacraments by which medieval Christians hoped to receive the grace of God

A. were codified by an early thirteenth-century church council. B. were but one of several paths to salvation available to orthodox Christians. C. could be administered by any Christian. D. were first introduced by the Waldensians.