The purpose of the Renaissance portrait by Ghirlandaio, Portrait of a Man and a Boy, was as:

a. a marriage token.
b. vainglorious self-flattery.
c. a remembrance after death.
d. all of these.
e. none of these.

Answer: c

Art & Culture

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Which stage configuration combines the intimate, wraparound feeling from the audience with the seating arrangement focused toward a single background located at the back of the stage?

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