The main architect of the Parthenon was:

The French composer whose love for long and intensely tuneful melodies and whose harmonic language stretched, but never abandoned functional progressions was ____

A) Gabriel Fauré B) Hector Berlioz C) Claude Debussy D) Lili Boulanger

The goal of Dalí's "paranoiac-critical" method was to ____

a. portray the art of madmen b. illustrate the sado-masochistic theories of Krafft-Ebing c. pour his emotions directly onto the canvas, with no thought of technique d. create images of inner reality and irrationality as concrete as the world of physical reality