What was the central image or metaphor used in the Oregon Shakespeare Festival production of Macbeth in 2002?

Because her figures are all silhouettes, which does not identify race, the artist Kara Walker forces the viewer to read the narrative by ___________________

A. recalling the novel from which the story was taken B. comparing the scene to other artists C. looking for other visual markers of race D. reading the text panels accompanying each character

Merce Cunningham's choreography is considered radical because it

a. does not depend on music. b. excludes female dancers. c. requires a polyrhythmic score. d. All these answers are correct.