The work of sin, punishment, and redemption that maps out the Christian scheme of Hell, Purgatory, and Paradise is described in
a. Swift's "A Modest Proposal."
b. Rand's "The Virtue of Selfishness."
c. Dante's Divine Comedy.
d. Milton's Paradise Lost.
c
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Which of the following is an example of forced perspective?
A. A designer continuously changes the color palette between scenes for visual effect. B. A director uses quick-cutting styles and parallel cuts to show two separate conversations occurring simultaneously at two different locations. C. A designer physically distorts certain aspects of the set and diminishes the size of objects to create the illusion of greater foreground-to-background distance. D. A director uses jump cuts to show an action sequence between two people.
The ________ confronts the devout with an appalling icon of agony, death, and sorrow that humanizes the sacred personages.
a. Breviary of Philippe le Bel b. Death of the Virgin c. Röttgen Pietà d. Klosterneuburg Altar