During the 1930s, Russian policy condemed music that was felt to be difficult for or unsettling to the average listener as:

In "Cosa sento," the Count's recurring musical theme is heard

a. after he discovers Cherubino hiding under a dress. b. just before he draws his sword. c. when he accidentally happens upon the Countess. d. all of the above.

In Mozart's The Marriage of Figaro, who is the Count hoping to seduce?

a. Almaviva b. Susanna c. Cherubino d. Rosalinda