Which of the following was NOT an innovation in nineteenth-century theatre architecture?
A. pole-and-chariot system for scene changing
B. continental seating with individual seats for all
C. raked auditorium seating
D. stages that were no longer raked
Answer: A
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What may have accounted for the remarkable number of Renaissance composers who were born in Burgundian lands?
a. A high level of patronage. b. Cultural exchange resulting from trade. c. Choir schools. d. A stable and peaceful political climate.
Facing a cold, hostile universe, playwrights of this "ism" felt that what happens in life cannot be explained logically, that human existence is futile, that relationships are ineffective, language is imprecise and that traditional structures of plays fail to reflect the ridiculousness, meaninglessness, anxiety, and chaos of the world
A) Surrealism B) Dadaism C) Expressionism D) Naturalism E) Absurdism