Pierre-Auguste Renoir's Le Grenouillière (fig. 24.20) is an Impressionist work that represents an area along the __________ sometimes frequented by prostitutes

Founded in the Muromachi period, the __________ school combined training in the ink-painting tradition with new skills in decorative subjects and styles

A. Heian B. Nara C. Hyogo D. Kano

Which of the following is not part of the method acting approach of Konstantin Stanislavsky?

A. The actor should always be primarily aware of the audience, making adjustments to keep them involved in the action. B. The actor should study the role closely to discover a network of objectives or motivations that can carry the actor from moment to moment. C. The actor should look for ways to identify as closely as possible with his or her character. D. The actor should draw on personal experiences and relationships to provide the foundation for the character's inner life.