What did Ornette Coleman typically advise his ensemble members to do?
a. to follow his lead and try to keep up
b. to improvise freely, but to stick to a shared tempo and key
c. to provide solid support for his freewheeling solos
d. to play with complete freedom and express themselves as they wanted
d
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How are connections between the natural world and the human body as expressed by Suzanne Lacy in Whisper, the Waves, the Wind similar to ideas articulated by Leonardo da Vinci?
What will be an ideal response?
It is widely believed that while attending the London premiere of the Messiah, King George II __________
a) became tired of sitting and stood near the end of the oratorio b) was moved by the beauty and majesty of the music and stood in respect c) thought that the work was too long and walked out after the second act d) broke into tears and called out to Handel during the final aria