Identify and contrast the primary stylistic traits employed in the films of Ingmar Bergman and Robert Bresson. Specifically, what is the role of the actor in their films? How does performance style complement the formal aims of each filmmaker?

What aspects from the domain of music justify considering the Middle East as single music-culture?

What will be an ideal response?

On a film shoot, a French filmmaker of the late 1910s would typically light a scene:

A. as if lighting for a stage play, complete with spotlights following the major characters. B. by starting with sunlight, then blocking off parts of the light to create dark patches within the set. C. by eliminating sunlight altogether and creating desired effects with artificial light. D. entirely with sunlight, even interiors.