Add inner voices and a roman numeral analysis to the following exercises. Identify the type of each second-inversion chord.

Viewers watching a film

A. are unable to experience the sense of physical and emotional closeness that theatergoers enjoy. B. are unlikely to witness the presentation of the subjective state of a character. C. are bound to a single point of view. D. can spirit back and forth from one of the four cinematic viewpoints to another.

Which type of nonrealism represents an abstract theme through symbolic characters, actions, and other elements of the production?

A. Heightened realism B. Expressionism C. Naturalism D. Allegory