In the painting White Clouds over Xiao and Xiang by Wang Jian:

A. the view is fixed, as if standing on a mountain.
B. the painter's primary concern is topographical accuracy.
C. the painter's inscription situates him in a centuries-old tradition of painterly and poetic meditations.
D. All of these are the case.
E. None of these answers are correct.

C The painter followed the Chinese painting tradition of constructing imaginary landscapes for viewers to wander through their minds.