Discuss the influence of the Egyptians on other Mediterranean cultures.
What will be an ideal response?
Much work remains to be done on the interconnections and lines of continuity and change among the peoples of the Mediterranean and Egypt, but it is clear that they knew of one another, traded with one another, and were stimulated by one another’s presence. Although Egyptian art and culture remained extraordinarily stable for more than 3,000 years, it would be a mistake to assume that this was because the region was isolated. During the Late Period with Memphis as their administrative center, Egyptians emphasized Mediterranean trade, which in turn produced more than 100 years of economic prosperity. In fact, Egypt was a center of trade for the entire Mediterranean basin. Spiral and geometric designs on Egyptian pottery from as early as the Twelfth Dynasty (1980–1801 BCE) suggest the influence of Aegean civilizations. During the reign of Thutmose III, connections with Aegean cultures appear to have been extremely close. Evidence from surviving images of both cultures’ ship designs—ships that would have facilitated Aegean trade—suggests a mutual influence.
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William Byrd was a
a. Catholic who wrote Protestant music for the English monarch. b. Protestant who wrote Catholic music for the English monarch. c. heretic. d. Protestant who wrote Protestant music for the English monarch.
Which of the following does not typically describe the free jazz style?
a. shifting tonal centers b. absence of a predetermined harmonic structure c. absence of a steady pulse or meter d. regular 32-bar formal structures