__________ painted a huge altarpiece for the high altar of Siena Cathedral

Which of the following is true about playwrights' use of structure at the end of the twentieth century?

a. Playwrights adopted Neoclassicism. b. Playwrights relied on Aristotelian. c. Playwrights experimented with emphasizing various dramatic elements. d. Playwrights rejected deconstruction.

How does the composition of Titian's Pesaro Madonna differ from that of other High Renaissance works in central Italy?

A. Highlighted against a dark background B. Symmetrical arrangement of figures C. Figures placed on a steep diagonal D. Figure gesturing toward the viewer