Which of the following is NOT a principle that is almost universally followed onstage?

A. You usually cross behind another character.
B. Actors do not often move at the same time.
C. Generally, look at people who are entering or exiting to help direct attention.
D. Move on your own lines and remain still on the lines of others.

A.

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During the early eighteenth century, which of the following areas was most closely associated with London's very poor?

a. the East End b. Mayfair c. Marylebone d. Paddington

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Although most earthworks are commissioned, they reject the notion of a

a)  buyer. b)  viewer. c)  material. d)  experience.

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