The terraced layout of the Sanctuary of Fortuna at Palestrina reflects the influence of earlier ____________ sanctuaries

What quality of painted crucifixes, such as the one attributed to Coppo di Marcovaldo (Fig. 17-37), would make them popular in churches of the Italian mendicants?

A. the painting style in the "Greek manner" B. they encouraged an emotional and empathetic response among viewers C. their iconic format D. the stylized representation of Christ's body

"La Goulue" was a French can-can dancer in nineteenth-century Paris who the artist Henri de Toulouse-Lautrec often depicted

Indicate whether the statement is true or false