________, the leading nature poet of the nineteenth century, embraced the redemptive power of nature

The lead accompaniment instrument, a two-stringed fiddle, the jinghu

A. plays a different counter melody to the melody of the soloist B. plays a repeating rhythmic pattern to reinforce the meter C. plays a repeating chord/harmony pattern to provide unity D. tracks the singer’s melody and plays during her rests

J.S. Bach effectively fused the expressive power of Baroque style with the familiar message of the chorale

Indicate whether the statement is true or false