The shoulders and torso of Ramose's brother in the Tomb of Ramose illustrate the "conceptual convention of Egyptian royal art" known as __________.

Which choreographer was influenced by Wagner's music dramas, and insisted that ballet should be a "total work of art"?

a. Alexander Siloti b. Ilya Repin c. Mikhail Fokine d. Vasili Kandinsky

In Leonardo's Last Supper, how did the artist break with traditional iconography?

a. By the placement of Judas on the same side as Christ and the other disciples b. By including Mary Magdalene in the role of servant c. By including the Virgin seated at the table d. By not including Judas at all